Fine Arts
I toured quite a bit in the world doing projects with the Antistrot collective, which was a blast. Furthermore I’ve done several collaborative art projects with artists from different cultures and disciplines. I enjoy the most when the process seems to ‘guide’ itself, and the people and locations unfold themselves in an surprising and exhilarating way.
In the end the process serves as a way of existential expansion in the mystery of this life, coming to deeper understanding through what other people can unravel to me, through their uniqueness..
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Xingu
” I walked through the open stretch of the Aldeia, and looked at a grieving circle of the Yawalapiti tribe, close to were their venerated big Chief, Pirakuman, was buried. They were sitting around an open ceramic pan, on a fireplace. I noticed what seemed to be popcorn bits, popping around. One of the bits stopped popping in the pan, and everybody broke out crying in grief. Later on I understood, that this was Pirakuman’s sliced off fingertip, popping towards the wind direction, from which Aldeia came the wizard, that had ambushed and slain Pirakuman. The extent of the realization dropped on me, and made the hair in my neck stand up. ”
This project was quite an initiation, my own little heart of darkness… I was immersed by the enchanting appeal of the magical world view. I made a trade, to teach Pirakuman’s, -great indigenous leader- grandson Thay, son of Ana Terra. I was to visits the various Kuarups, immersive rituals where everything comes together. Pirakuman and his brother Aritana were 2 larger than life figures, bringing me back to the lore of Swarga and Valhalla, and these realms. An other age before the humble present of Christ who died on the cross.. I got to know a world, where magic and shapeshifting exist, a world of psychic warfare, and impressing wrestling skills on the 3d plane.. I came to understand that reality is defined by the dominant paradigm, and that always all positions of good and bad in dualism, have to be occupied. If one wizard is vanquished, an other spawns right in that moment. The whole experience connected with a deep, archaic knowing, throbbing in my body where my ancestors are located, reminding of a reality that is much more vibrant and intense then the mundane world. In gratitude for the whole experience, we named our oldest son Thay as well…


































18+ -the Antistrot Collective, Rotterdam 1997-2009
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Antistrot
David Elshout; Antistrot was a an existant group of friends at the Willem de Kooning Academy, when I met them in 1998.
I had the pleasure of forming a nucleus of incredible creativity in spawning ideas, jokes, what nowadays would be called Memes, in combination with Paul Börchers and Johan Kleinjan. Johan has this lucid, enigmatic, eery insights into people’s behavior. Paul was this incredibly impressive, versatile, multi talent, who was seemingly able to do anything on a creative level, while having a magnetizing, charismatic presence. I guess i brought to the table a lot of drive and ambition, and some crazy, mindbending twists on ideas that would just come out of thin air. Later on I was able to develop my craftiness to all the experiences in doing projects around the globe.
Bruno J F X da Silva, would regularly come into the fray, with thorny, irreverent and mocking, black humour, taking the piss out of any real or perceived human suffering. And important addition was the dynamic duo from Zeeland, Michiel Walrave and Silas Schletterer. Michiel added visual clarity, geometric focus, laughter and teamspirit and incredibly funny voice imitations.Silas brought an accomplished, pleasing visual style, oozing with aesthetics and enormously enhancing the commercial, seductive appeal of the collective.
Charlie Dronkers, with maniacal drive, was able to break through any perceived or real barriers. Marco Kruyt was the backbone for creating space, robotics, and technical solutions. Yvonne Gaemers made beautiful costumes for performances, while regurlarly collaborations with Emu and Eru Arizono and Siogo Yoshikawa, brought new levels of graphical refinement and artistry.
Antistrot was a gateway for enormous existential expansion, i realized any artistic dream or desire I could realistically ask for. The amount of expansion was so great, that it might have been the reason I lost interest in art in some way, and went to spirituality, because it kind of was the pinnacle for me of operating in Fine Arts, thank you!!!
Formed in 1996, Antistrot was a visual band, a group of artists to work together as individuals on murals and paintings. The creative process focuses on creating as a group, using the same medium but mixing individual styles. The group met as Illustration students at the Willem De Kooning Academie in Rotterdam and came to reject the view that illustrators are not fine artists.
Like the Dadaists Antistrot uses disparate sources like popular magazines, vintage comics, typography and off course art history. They juxtapose the disconnected images in order to highlight a chaotic irrationality of contemporary society.
They were certainly not the first artists to band together to make a point but their joined attack had a new twist as they refer to as “complete saturation”. Because the images are intertwined, their symbolic value merge into a narrative that changes, depending on where your eyes lead you. No image or idea is left to itself. Instead the whole is saturated by association. Each work is spontaneous, never premeditated, like a impromptu performance, each painting tests the new boundaries and potential.The members continued producing paintings and murals without David Elshout from 2010 as Kamp Horst Rotterdam.
Source: Art critic Julia Morton
Artist members were: Paul Borchers, Johan Kleinjan, Bruno Ferro Xavie Da Silva, Silas Schletterer, David Elshout and Michiel Walrave. Representations: MK Galerie Rotterdam, Sara Techia Roma New York, Shooting Gallery San Francisco
History:
2009] Solid Cold, Shooting Gallery, San Francisco, USA [ Hidden Track, Museum Boijmans van Beuningen, Rotterdam + The scenery of a beautiful Cancer, NADiff, Tokyo, Japan
[2008] Large Mural, Performance, paintings at Booth, Aqua Wynwood, during Art Basel + Performances, decoration, visuals for State X 09 festival, The Hague + Exhibition at Winzavod, cultural arts center, Moscow + Exhibition at Sergey Kuryukhin cultural foundation, St. Petersburg + Solo Exhibition at Sara Tecchia Gallery, New York + Antistrot at Scope New York, New York + Antistrot Mural at Kongsi Enschede, with videoshoot with Japanse filmcrew
[2007] Big Robot Performance, NYE Con Club, Rotterdam + Installation with mural in collab with Ludovica Gioscia, at Scope Miami + Nomination for the Volkskrant Fine Arts Prize Lowlands & Todays Art festival, Biddinghuizen & The Hague + Mural & Performances at 3rd Ward, Brooklyn, New York City + Participation at “Can’t we all just get along”, collab. with Elena Monzo, Sara Tecchia, New York + City Mural at Careof, Milan + ‘Skatebored’ boardrelated exhibition, Rotterdam, Eindhoven + Your line…, Sara Tecchia Roma New York, New York + City PAIN_TINGS exhibition at MK Gallery, Rotterdam + Exhibition “Reading the Drawing” at Sign Gallery, Groningen
[2006] Mural and performance at Maria Am Ostbahnufer, Berlin + Mural at The Fund of Visual Arts and Architecture, Amsterdam + Exhibition at “Dutch Masters”, GEM museum, The Hague + Mural and Performance at Bochumer Kulturrat, Bochum & Performance at the Dortmunder Kunstverein, Dortmund + Antistrot stage at Todays Art festival, performances and paintings, collaboration with Eru & Emu Arizono and Siogo Yoshikawa, The Hague + Participation at “Kunstvlaai”, Amsterdam
[2005] Mural in Porto and Lisbon (Zé Dos Bois) + El Nasser photo shoot with Elsa Jo for Nike + Exhibition “Amateur Kaviar” at the Kabinetten van de Vleeshallen, Middelburg + Exhibition with Zedz at 90 square meters, Amsterdam + Exhibition “Drawings and pain” at MK Galerie Rotterdam + Mural and installation at Boijmans van Beuningen for Project Rotterdam Exhibition + Antistrot painting/mural exhibited at Muhka, Antwerpen + Mural at Hugh Lane Gallery in Dublin for Offside exhibition
[2004] Presentation Cyberstort and performance by Crackremover at the Scheld’Apen, Antwerp and at the Player, Rotterdam + Etcetera musical Venue accompanied with Artwork by Antistrot, Nighttown Theater, Rotterdam + “Fisi the Laughing Hyena”exhibition at Neon Gallery, Brösarp + Deco for State-x festival in The Hague with Zedz and a performance (El Nasser) with Donna Summer (Jason Forest) + Drawing for presentation of the “Nieuwe Omroep” + Presentation of Antistrot mural and performance at ‘RE 04’ in Boijmans van Beuningen, Rotterdam + Antistrot TV at local tv station + Drawing for Japanese adult advertisement (E-Station)
[2003] Screening Antistrot films by ‘Maus Habitos’ in Porto, Portugal + Exhibition: Our Collected Paintings and solo work in Punct, Tilburg + Exhibition: Antistrot Blacklist at the Photo Institution of Warsaw, Poland + Antistrot mural at the Museum of Contemperary Art, Warsaw, Poland + Three spreads for ‘Container #0’ magazine + Spread in Hepalinillmaster, Osaka, Japan
[2002] Antistrot content on Occupying space site + Antistrot content on Mama o oo. Nl site + Antistrot exhibition of paintings at OFF Corso, Rotterdam + Part of State X festival in den Haag (film content) + Part of Langweiligkeitsfestival [2001] Antistrot display at the Kunsthal graduation exhibition + Part of GRRR ZBUCH! Exhibition in Center for Contemporary Arts in Prague + Antistrot display in Tower Records in Japan + Part of art-route’Occupying Space’ in Rotterdam city-hall + Part of Hardpop exhibition at showroom Mama in Rotterdam + Antistrot content on Hardpop.net site + Antistrot content on 3VO site + Part of Radio Moderne 2 + Antistrot available in Tokio and New York + Video screening at R EJECT festival in Rotterdam [education] Willem de Kooning – Academy of Art
Publications/interviews: Ad in Art Forum for the Sara Tecchia Exhibition (2008), Saatchi Online (2008), Interviews, in Metro, NRC Handelsblad, Saatchi Online, Volkskrant and many others (2007), Confetti, Rotterdam (November 2006), Ruhr Zeitung (September 2006), Volkskrant (September 2006), CJP Magazine, Lowlands (August 2006), Volkskrant (February 2006), Volksrant (July 2005), Laifstyle, Poland (May 2005), Haagsche Courant Review (April 2005)
































































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